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Oil on canvas, 64.8 x 49.8 cm. New York, Metropolitan Museum of Art.
Bertrand-Jean Redon, better known as Odilon Redon (April 20, 1840 – July 6, 1916) was a French Symbolist painter, printmaker, draughtsman and pastellist.
Redon's art was often strange and mysterious, and was described as follows by novelist Joris-Karl Huysmans:
Those were the pictures bearing the signature: Odilon Redon. They held, between their gold-edged frames of unpolished pearwood, undreamed-of images: a Merovingian-type head, resting upon a cup; a bearded man, reminiscent both of a Buddhist priest and a public orator, touching an enormous cannon-ball with his finger; a spider with a human face lodged in the centre of its body. Then there were charcoal sketches which delved even deeper into the terrors of fever-ridden dreams. Here, on an enormous die, a melancholy eyelid winked; over there stretched dry and arid landscapes, calcinated plains, heaving and quaking ground, where volcanos erupted into rebellious clouds, under foul and murky skies; sometimes the subjects seemed to have been taken from the nightmarish dreams of science, and hark back to prehistoric times; monstrous flora bloomed on the rocks; everywhere, in among the erratic blocks and glacial mud, were figures whose simian appearance--heavy jawbone, protruding brows, receding forehead, and flattened skull top--recalled the ancestral head, the head of the first Quaternary Period, the head of man when he was still fructivorous and without speech, the contemporary of the mammoth, of the rhinoceros with septate nostrils, and of the giant bear. These drawings defied classification; unheeding, for the most part, of the limitations of painting, they ushered in a very special type of the fantastic, one born of sickness and delirium.
Bertrand-Jean Redon, better known as Odilon Redon (April 20, 1840 – July 6, 1916) was a French Symbolist painter, printmaker, draughtsman and pastellist.
Redon's art was often strange and mysterious, and was described as follows by novelist Joris-Karl Huysmans:
Those were the pictures bearing the signature: Odilon Redon. They held, between their gold-edged frames of unpolished pearwood, undreamed-of images: a Merovingian-type head, resting upon a cup; a bearded man, reminiscent both of a Buddhist priest and a public orator, touching an enormous cannon-ball with his finger; a spider with a human face lodged in the centre of its body. Then there were charcoal sketches which delved even deeper into the terrors of fever-ridden dreams. Here, on an enormous die, a melancholy eyelid winked; over there stretched dry and arid landscapes, calcinated plains, heaving and quaking ground, where volcanos erupted into rebellious clouds, under foul and murky skies; sometimes the subjects seemed to have been taken from the nightmarish dreams of science, and hark back to prehistoric times; monstrous flora bloomed on the rocks; everywhere, in among the erratic blocks and glacial mud, were figures whose simian appearance--heavy jawbone, protruding brows, receding forehead, and flattened skull top--recalled the ancestral head, the head of the first Quaternary Period, the head of man when he was still fructivorous and without speech, the contemporary of the mammoth, of the rhinoceros with septate nostrils, and of the giant bear. These drawings defied classification; unheeding, for the most part, of the limitations of painting, they ushered in a very special type of the fantastic, one born of sickness and delirium.
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Basic Button Keychain
Set your keys apart with a custom keychain. Create your own or choose from thousands of cute and cool designs. The sturdy clasp keeps keys together securely, and holds up well through daily wear-and-tear.Diameter: 2.25 inches, great for purses and pockets.
Depth: .19 inches
Weight: .25 ounces
- Full-color, full-bleed printing
- Waterproof
- Add Photos, Artwork and Text
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This designer's one-of-a-kind "artistic" custom keychain is just one of thousands of custom products able to be purchased online at Zazzle. Advertised in masterpiecesofart's Renaissance, Baroque, Impressionism category, this particular custom keychain, which is identified as “bouquet in a chinese vase, odilon redon keychain”, is an amazing representation of the bouquet in a chinese vase, odilon redon merch in Zazzle's online marketplace. This custom key chain is the perfect addition to any set of house or car keys and it will be a wonderful gift for relatives and friends who like floral designs. If you like this keychain design, look for similar items available for purchase in the fine, artistic, or flower keychain sections of the site or stop by the creator's Zazzle store.
Made to order in copious amounts of colors, Zazzle’s fine key chains are an excellent way to place your beloved image anywhere. Pointed out above, masterpiecesofart’s fine design is produced using excellent machinery that is preeminent for the truly fantastic pictures that it is able to deliver. Just one fine item on Zazzle, the indicated key chain is scratch-resisting and encased with protective Mylar. With these distinctions, this Renaissance, Baroque, Impressionism design is characteristic of the large range of ideal flower products put forth at Zazzle.
Bouquet in a Chinese Vase, Odilon Redon Key Chain
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Created By masterpiecesofart:
Bouquet in a Chinese Vase, Odilon Redon
Paris, ca. 1913
Oil on canvas, 64.8 x 49.8 cm. New York, Metropolitan Museum of Art.
Bertrand-Jean Redon, better known as Odilon Redon (April 20, 1840 – July 6, 1916) was a French Symbolist painter, printmaker, draughtsman and pastellist.
Redon's art was often strange and mysterious, and was described as follows by novelist Joris-Karl Huysmans:
Those were the pictures bearing the signature: Odilon Redon. They held, between their gold-edged frames of unpolished pearwood, undreamed-of images: a Merovingian-type head, resting upon a cup; a bearded man, reminiscent both of a Buddhist priest and a public orator, touching an enormous cannon-ball with his finger; a spider with a human face lodged in the centre of its body. Then there were charcoal sketches which delved even deeper into the terrors of fever-ridden dreams. Here, on an enormous die, a melancholy eyelid winked; over there stretched dry and arid landscapes, calcinated plains, heaving and quaking ground, where volcanos erupted into rebellious clouds, under foul and murky skies; sometimes the subjects seemed to have been taken from the nightmarish dreams of science, and hark back to prehistoric times; monstrous flora bloomed on the rocks; everywhere, in among the erratic blocks and glacial mud, were figures whose simian appearance--heavy jawbone, protruding brows, receding forehead, and flattened skull top--recalled the ancestral head, the head of the first Quaternary Period, the head of man when he was still fructivorous and without speech, the contemporary of the mammoth, of the rhinoceros with septate nostrils, and of the giant bear. These drawings defied classification; unheeding, for the most part, of the limitations of painting, they ushered in a very special type of the fantastic, one born of sickness and delirium.
Bertrand-Jean Redon, better known as Odilon Redon (April 20, 1840 – July 6, 1916) was a French Symbolist painter, printmaker, draughtsman and pastellist.
Redon's art was often strange and mysterious, and was described as follows by novelist Joris-Karl Huysmans:
Those were the pictures bearing the signature: Odilon Redon. They held, between their gold-edged frames of unpolished pearwood, undreamed-of images: a Merovingian-type head, resting upon a cup; a bearded man, reminiscent both of a Buddhist priest and a public orator, touching an enormous cannon-ball with his finger; a spider with a human face lodged in the centre of its body. Then there were charcoal sketches which delved even deeper into the terrors of fever-ridden dreams. Here, on an enormous die, a melancholy eyelid winked; over there stretched dry and arid landscapes, calcinated plains, heaving and quaking ground, where volcanos erupted into rebellious clouds, under foul and murky skies; sometimes the subjects seemed to have been taken from the nightmarish dreams of science, and hark back to prehistoric times; monstrous flora bloomed on the rocks; everywhere, in among the erratic blocks and glacial mud, were figures whose simian appearance--heavy jawbone, protruding brows, receding forehead, and flattened skull top--recalled the ancestral head, the head of the first Quaternary Period, the head of man when he was still fructivorous and without speech, the contemporary of the mammoth, of the rhinoceros with septate nostrils, and of the giant bear. These drawings defied classification; unheeding, for the most part, of the limitations of painting, they ushered in a very special type of the fantastic, one born of sickness and delirium.
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Product id: 146503440059473605Made on 8/27/2009 12:35 AM
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