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Portrait of Agnolo Doni by Raphael Sanzio 3 Ring Binder

$22.95

per binder

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1
binder
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  • Background
    Background
  • Front/Inside
    Front / Inside
  • Front
    Front
  • Back
    Back
  • Spine
    Spine
  • Front/Spine
    Front / Spine
  • Back/Spine
    Back / Spine
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Avery Signature 1.5" Binder
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About this product
Size: Avery Signature 1.5" Binder

You’ve spent time crafting interesting reports, so why not create an eye-catching Avery custom binder to match? Showcase your business with custom client binders, proposals and reports, or design unique wedding albums, recipe books and photo albums.

  • Dimensions: 10"l x 11.75"w; Spine: 2.2"
  • Full bleed photo-quality printing
  • Designed for letter (8.5" x 11") sized paper
  • Fits 400 pages with 1 Touch™ EZD™ Rings
  • Binder inserts not included
  • Made in U.S.A.
  • Designer Tip: To ensure the highest quality print, please note that this product’s customizable design area measures 10.98" x 11.6". For best results please add 1/4" bleed
This product is recommended for ages 6+
Ring Type: One Touch EZD™ Ring
1" Capacity: 275 pages
1.5" Capacity: 400 pages
2" Capacity: 540 pages
Locking rings open with ease and keep pages secure.
About this design
Portrait of Agnolo Doni by Raphael Sanzio 3 Ring Binder
Portrait of Agnolo Doni (1506/1507) by Raphael Sanzio, Raffaello (1483-1520) is currently housed in the Pitti Palace in Florence, Italy. A vintage Renaissance Era fine art portrait painting and is one of a pair that features a recently married merchant and his wife. The composition of the portraits resembles that of the Mona Lisa: the figures are presented in the same way in respect to the picture plane, and their hands, like those of the Mona Lisa, are placed on top of one another. But the low horizon of the landscape background permits a careful assessment of the human figure by providing a uniform light which defines surfaces and volumes. This relationship between landscape and figure presents a clear contrast to the striking settings of Leonardo, which communicate the threatening presence of nature. But the most notable characteristic that distinguishes these portraits from those of Leonardo is the overall sense of serenity which even the close attention to the materials of clothes and jewels (which draw one's attention to the couple's wealth) is unable to attenuate. Every element - even those of secondary importance - works together to create a precise balance. These works, linked not only by the kinship of the subjects, but also by their evident stylistic homogeneity, mark the beginning of Raphael's artistic maturity.
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