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Judith Beheading Holofernes - Caravaggio Square Wall Clock

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About this product
Style: Square

It's time to show off your favorite art, photos, and text with a custom square wall clock from Zazzle. Made for any wall, this clock is vibrantly printed with AcryliPrint®HD process to ensure the highest quality display of any content. Order this custom square wall clock for your home or give to friends and family as a gift for a timeless treasure.

  • Size 10.75" x 10.75".
  • Material: Grade-A acrylic.
  • One AA battery required (not included).
  • Add photos, artwork, and text.
About this design
available on 27 products
Judith Beheading Holofernes - Caravaggio Square Wall Clock
Judith Beheading Holofernes is a work by Caravaggio, painted in 1598-99. The widow Judith first charms the Assyrian general Holofernes, then decapitates him in his tent. The deutero-canonical Book of Judith tells how Judith saved her people by seducing and killing Holofernes, the Assyrian general. Judith gets Holofernes drunk, then seizes his sword and decapitates him: "Approaching to his bed, she took hold of the hair of his head, and said, Strengthen me, O Lord God of Israel, this day! And she smote twice upon his neck with all her might, and she took away his head from him." (Judith, 13:7-8). The beheading of Holofernes was a favourite subject of the age, attempted by such names as Donatello, Sandro Botticelli, Andrea Mantegna, Giorgione, Artemisia Gentileschi, and Lucas Cranach the Elder, among many others. Caravaggio's approach was, typically, to choose the moment of greatest dramatic impact, the moment of the decapitation itself. The figures are set out in a shallow stage, theatrically lit from the side, isolated against the inky, black background. Judith and her maid Abra stand to the right, partially over Holofernes, who is vulnerable on his back. X-rays have revealed that Caravaggio adjusted the placement of Holofernes' head as he proceeded, separating it slightly from the torso and moving it slightly to the right. The faces of the three characters demonstrate his mastery of emotion, Judith in particular showing in her face a mix of determination and repulsion. Artemisia Gentileschi and others were deeply influenced by this work, and even surpassed Carravagio's physical realism, but none matched his capture of Judith's psychological ambivalence.
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