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The Abbey in the Oakwood Card

$3.30

per card

Qty:
1
 
  • Front Horizontal
    Front Horizontal
  • Inside Horizontal (Top)
    Inside Horizontal (Top)
  • Inside Horizontal (Bottom)
    Inside Horizontal (Bottom)
  • Back Horizontal
    Back Horizontal
The Abbey in the Oakwood Card
Designed for youby Cloud Dancer's Place
Standard (5" x 7")
More (3)
Matte
  • 17 pt thickness / 120 lb weight
  • Light white, uncoated matte finish with an eggshell texture
Details
Size
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Standard (5" x 7")
 
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Small (4.25" x 5.5")
- $0.55
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Big (8.5" x 11")
+ $4.50
About This Product
  • Sold by
Size: Standard (5" x 7")

Birthdays or holidays, good days or hard days, Zazzle’s customized greeting cards are the perfect way to convey your wishes on any occasion. Add a photo or pick a design and brighten someone’s day with a simple “hi”!

  • Dimensions: 5" x 7" (portrait) or 7" x 5" (landscape)
  • Full color CMYK print process
  • All-sided printing for no additional cost
  • Printable area on the back of the card is 3" x 4" (portrait) or 4" x 3" (landscape)
  • Standard white envelopes included
Paper Type: Matte

The most popular paper choice, Matte’s eggshell texture is soft to the touch with a smooth finish that provides the perfect backdrop for your chosen designs.

  • Light white, uncoated matte finish with an eggshell texture
  • Paper is easy to write on and won't smudge
  • Made and printed in the USA
About This Design
The Abbey in the Oakwood Card
Caspar David Friedrich (September 5, 1774 – May 7, 1840) was a 19th-century German Romantic landscape painter, generally considered the most important of the movement. He is best known for his mid-period allegorical landscapes which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest as an artist was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's work characteristically sets the human element in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".
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