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BXVI Pope Coat Emblem Heraldry Official Symbol Bumper Sticker

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About This Product
Style: Bumper Sticker

Entertain the cars sitting behind you in traffic with a custom bumper sticker. Make your car a reflection of you and your personality, show off your particular politics, or brag about your honor roll child! Get your point across with this quality bumper sticker that will outlast heavy rain, intense sunlight, and the most severe of traffic jams.

  • Dimensions: 3"l x 11"w
  • Made from durable vinyl with a strong adhesive back that will hold up under the most severe of conditions
  • 100% weatherproof
  • Printed with water-resistant ink that won’t fade or run
About This Design
available on 25 products
BXVI Pope Coat Emblem Heraldry Official Symbol Bumper Sticker
The crowned with the bishop's miter plate is divided into three fields, enter the special heraldic symbols: Left (heraldic right) of the "Moor of Freising" in the arms of the Archdiocese of Munich-Freising, where Joseph Cardinal Ratzinger was archbishop. Right (heraldic left) the Bear of St. Korbinian, patron saint of the diocese of Munich and Freising, Freising from the city crest. Below is a scallop shell, which stands for the pilgrimage. It refers to a legend about the church father Augustine. The shell was also found in the arms of the former Scottish monastery of St. Jacob in Regensburg, where Benedict XVI. began his career as a priest. Behind the shield are the crossed keys of Peter, stand for the Pope as God's representative on earth. An additional element is the pallium, a type of shawl worn by Roman Catholic Metropolitan over the chasuble, and in this case, the Pope characterizes as Archbishop and Metropolitan of Rome. Historically, they were used by knights to identify them apart from enemy soldiers. In Continental Europe, commoners were able to adopt burgher arms. Unlike seals and emblems, coats of arms have a formal description that is expressed as a blazon. In the 21st century, coats of arms are still in use by a variety of institutions and individuals (for example several universities have guidelines on how their coats of arms may be used and protect their use). The art of designing, displaying, describing and recording arms is called heraldry. The use of coats of arms by countries, states, provinces, towns and villages is called civic heraldry. In the heraldic traditions of England and Scotland an individual, rather than a family, had a coat of arms. In those traditions coats of arms are legal property transmitted from father to son; wives and daughters could also bear arms modified to indicate their relation to the current holder of the arms. Undifferenced arms are used only by one person at any given time. Other descendants of the original bearer could bear the ancestral arms only with some difference: usually a color change or the addition of a distinguishing charge. One such charge is the label, which in British usage (outside the Royal Family) is now always the mark of an heir apparent. Because of their importance in identification, particularly in seals on legal documents, the use of arms was strictly regulated; few countries continue in this today. This has been carried out by heralds and the study of coats of arms is therefore called "heraldry". Some other traditions (e.g., Polish heraldry) are less restrictive — allowing, for example, all members of a dynastic house or family to use the same arms, although one or more elements may be reserved to the head of the house. In time, the use of arms spread from military entities to educational institutes, and other establishments. According to a design institute article, "The modern logo and corporate livery have evolved from the battle standard and military uniform of medieval times". In his book, The Visual Culture of Violence in the Late Middle Ages, Valentin Groebner argues that the images composed on coats of arms are in many cases designed to convey a feeling of power and strength, often in military terms. The author Helen Stuart argues that some coats of arms were a form of corporate logo. Museums on medieval armory also point out that as emblems they may be viewed as precursors to the corporate logos of modern society, used for group identity formation. Note that not all personal or corporate insignia are heraldic, though they may share many features. For example, flags are used to identify ships (where they are called ensigns), embassies and such, and they use the same colors and designs found in heraldry, but they are not usually considered to be heraldic. A country may have both a national flag and a national coat of arms, and the two may not look alike at all. For example, the flag of Scotland (St Andrew's Cross) has a white saltire on a blue field, but the royal arms of Scotland has a red lion within a double tressure on a gold (or) field. The Great Seal of the United States is often said to be the coat of arms of the United States. The blazon ("Paleways of 13 pieces, argent and gules; a chief, azure") is intentionally to preserve the symbolic number 13. Most American states generally have seals, which fill the role of a coat of arms. However, the state of Vermont (founded as the independent Vermont Republic) follows the American convention of assigning use of a seal for authenticating official state documents and also has its own separate coat of arms. Many American social fraternities and sororities, especially college organizations, use coats of arms in their symbolism. These arms vary widely in their level of adherence to European heraldic tradition. Organizations formed outside the United States with U.S. membership also may have a coat of arms. Roman Catholic dioceses and cathedrals have a coat of arms.
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Product ID: 128852659059180158
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