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Original paint "the Transfiguration" Raffaello Postcard

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Signature Matte
18 pt thickness / 120 lb weight Soft white, soft eggshell texture
-$0.16

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Size: Standard Postcard

Create your own vacation-worthy postcard! Any view you’ve seen, any monument you’ve fallen in love with, can all be added to your postcard with our personalization tool.

  • Dimensions: 5.6" L x 4.25" H; qualified USPS postcard size
  • High quality, full-color, full-bleed printing on both sides

Paper Type: Signature Matte

Our Signature Matte paper is a customer favorite—smooth to the touch with a soft eggshell texture that elevates any design. Its sturdy 18 pt weight and natural feel make it the ideal choice for timeless, sophisticated events.

  • Exclusively made for Zazzle
  • Made and Printed in the USA
  • FSC® Certified—sourced from responsibly managed forests that protect both people and planet

About This Design

Original paint "the Transfiguration" Raffaello Postcard

Original paint "the Transfiguration" Raffaello Postcard

The Transfiguration is the last painting by the Italian High Renaissance master Raphael. Commissioned by Cardinal Giulio de Medici, the later Pope Clement VII (1523–1534) and conceived as an altarpiece for the Narbonne Cathedral in France, Raphael worked on it until his death in 1520. The painting exemplifies Raphael's development as an artist and the culmination of his career. Unusually for a depiction of the Transfiguration of Jesus in Christian art, the subject is combined with an additional episode from the Gospels in the lower part of the painting. The Transfiguration stands as an allegory of the transformative nature of representation.[1] It is now in the Pinacoteca Vaticana in Vatican City. By December 1516, the latest date of commission, Cardinal Giulio de Medici, cousin to Pope Leo X (1513–1521), was also the Pope's vice-chancellor and chief advisor. He had been endowed with the legation of Bologna, the bishoprics of Albi, Ascoli, Worcester, Eger and others. From February 1515, this included the archbishopric of Narbonne.[2] He commissioned two paintings for the cathedral of Narbonne, The Transfiguration of Christ from Raphael and The Raising of Lazarus from Sebastiano del Piombo. With Michelangelo providing drawings for the latter work, Medici was rekindling the rivalry initiated a decade earlier between Michelangelo and Raphael, in the Stanze and Sistine Chapel.[3] From 11 to 12 December 1516, Michelangelo was in Rome to discuss with Pope Leo X and Cardinal Medici the facade of the Basilica of San Lorenzo in Florence. During this meeting, he was confronted with the commission of The Raising of Lazarus and it was here that he agreed to provide drawings for the endeavour, but not to execute the painting himself. The commission went to Michelangelo's friend Sebastiano del Piombo. As of this meeting the paintings would become emblematic of a paragone between two approaches to painting, and between painting and sculpture in Italian art. by wikipedia.org

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Product ID: 239277378412140067
Created on: 5/10/2017, 12:46 PM
Rating: G