This design features a painting by the British Pre-Raphaelite artist Sir Edward Burne-Jones (1833–1898). The artwork, one of Burne-Jones's most renowned pieces, is steeped in the rich mythology of Arthurian legends, capturing a pivotal moment in the story of Merlin, the wise and powerful wizard, and Vivien (often referred to as Nimue or the Lady of the Lake), the enchantress who ultimately ensnares him. The painting depicts Merlin and Vivien in an eerie, enchanted forest. Merlin, seated on the ground, appears entranced and powerless, his eyes heavy with a sense of impending doom. His body is slumped, and he seems to be at the mercy of Vivien's spell. His expression, a mix of resignation and sorrow, suggests his awareness of the fate that is about to befall him but also his inability to resist it. Vivien, standing beside him, is the embodiment of beauty and determination. She is portrayed as a tall, graceful figure with flowing, richly adorned robes. Her hair is long and unbound, cascading down her shoulders, and her gaze is fixed intently on Merlin. Her expression is one of cool calculation and allure, revealing her confidence in her power over the great wizard. Vivien's posture is assertive, with one hand holding a book of spells and the other extended as if casting the final enchantment that will imprison Merlin. The background of the painting is as richly detailed as the figures themselves, filled with lush, dark foliage that creates a mystical and otherworldly atmosphere. The twisted trees and dense undergrowth contribute to the sense of entrapment and foreboding, making the forest itself seem like an extension of Vivien's spell. The deep, muted tones of the background contrast with the more vibrant colors of the figures' clothing, highlighting the central drama of the scene. "The Beguiling of Merlin" is not just a depiction of a mythological event; it is a study in the dynamics of power, seduction, and the tragic consequences of yielding to temptation. Burne-Jones masterfully captures the moment when Merlin, despite his wisdom, falls victim to Vivien's cunning, illustrating the timeless themes of love, betrayal, and the inevitable downfall of even the mightiest of figures. The artwork, which was painted in the early 1870s, is a testament to Burne-Jones's magnificent ability to infuse mythological subjects with deep emotional resonance and narrative complexity.