Mother and Child Mary Cassatt

Mother and Child by Mary Cassatt, oil on canvas (undated, 1884-1894) depicts a woman in a greyish, pink-mauve dress sitting in profile view in a bright, domestic interior holding her small child in her lap. Wearing a deep, ultramarine blue baby jumper suit, the child stands in his mother’s arms, sucking his thumb. In broad, painterly, sketchy brushstrokes, Cassatt vivaciously constructs a brilliantly colorful scene of domestic tranquility in one of her many treatments of her favorite theme of mother and child. Mary Stevenson Cassatt (1844 - 1926) was an American painter and printmaker who became an important member of the French Impressionist movement of art. Born in Pennsylvania, Cassatt studied abroad in Europe as a young woman, where she began her first studies in art. Dedicating herself to art, she enrolled at the Pennsylvania Academy of Fine Arts, until she moved to Paris in 1866 to study with Jean-Leon Gerome of the Ecole des Beaux-Arts and became a copyist in the Louvre. By 1874 Cassatt had a studio in Paris but struggled to exhibit in the official French Salon, until Edgar Degas invited her to join the Impressionist exhibitions. Degas tremendously influenced Cassatt, about whom he wittily remarked "No woman has the right to draw like that", and the two artists had a close working relationship for years as Mary absorbed Degas' drawing, composition, and mastery of the mediums of pastel and etching. Cassatt posed for a number of paintings by the elder artist, and created her own unsentimental, rigorously drawn figure paintings of scenes from modern life, notably many paintings on the theme of mother and child. Her series of highly original colored prints in etching and aquatint are an unsurpassed landmark in the history of art, influenced by the elegance of classical Japanese printmakers. An early feminist and supporter of women's suffrage, Cassatt painted prolifically until well into old age, exhibiting at the notorious American Armory Show of 1913.